14 And that she increased her whoredoms: for when she saw men pourtrayed upon the wall, the images of the Chaldeans pourtrayed with vermilion, 15 Girded with girdles upon their loins, exceeding in dyed attire upon their heads, all of them princes to look to, after the manner of the Babylonians of Chaldea, the land of their nativity: 16 And as soon as she saw them with her eyes, she doted upon them, and sent messengers unto them into Chaldea. 17 And the Babylonians [1] came to her into the bed of love, and they defiled her with their whoredom, and she was polluted with them, and her mind was alienated from them.

Other Translations of Ezekiel 23:14-17

New International Version

14 "But she carried her prostitution still further. She saw men portrayed on a wall, figures of ChaldeansOr "Babylonians" portrayed in red, 15 with belts around their waists and flowing turbans on their heads; all of them looked like Babylonian chariot officers, natives of Chaldea.Or "Babylonia" ; also in verse 16 16 As soon as she saw them, she lusted after them and sent messengers to them in Chaldea. 17 Then the Babylonians came to her, to the bed of love, and in their lust they defiled her. After she had been defiled by them, she turned away from them in disgust.

English Standard Version

14 But she carried her whoring further. She saw men portrayed on the wall, the images of the Chaldeans portrayed in vermilion 15 wearing belts on their waists, with flowing turbans on their heads, all of them having the appearance of officers, a likeness of Babylonians whose native land was Chaldea. 16 When she saw them, she lusted after them and sent messengers to them in Chaldea. 17 And the Babylonians came to her into the bed of love, and they defiled her with their whoring lust. And after she was defiled by them, she turned from them in disgust.

The Message

14 But Oholibah surpassed her sister. When she saw figures of Babylonians carved in relief on the walls and painted red 15 fancy belts around their waists, elaborate turbans on their heads, all of them looking important - famous Babylonians! - 16 she went wild with lust and sent invitations to them in Babylon. 17 The Babylonians came on the run, fornicated with her, made her dirty inside and out. When they had thoroughly debased her, she lost interest in them.

New King James Version

14 But she increased her harlotry; She looked at men portrayed on the wall, Images of Chaldeans portrayed in vermilion 15 Girded with belts around their waists, Flowing turbans on their heads, All of them looking like captains, In the manner of the Babylonians of Chaldea, The land of their nativity. 16 As soon as her eyes saw them, She lusted for them And sent messengers to them in Chaldea. 17 "Then the Babylonians came to her, into the bed of love, And they defiled her with their immorality; So she was defiled by them, and alienated herself from them.

New Living Translation

14 "Then she carried her prostitution even further. She fell in love with pictures that were painted on a wall-pictures of Babylonian military officers, outfitted in striking red uniforms. 15 Handsome belts encircled their waists, and flowing turbans crowned their heads. They were dressed like chariot officers from the land of Babylonia. 16 When she saw these paintings, she longed to give herself to them, so she sent messengers to Babylonia to invite them to come to her. 17 So they came and committed adultery with her, defiling her in the bed of love. After being defiled, however, she rejected them in disgust.

Matthew Henry's Commentary on Ezekiel 23:14-17

Chapter Contents

A history of the apostacy of God's people from him, and the aggravation thereof.

In this parable, Samaria and Israel bear the name Aholah, "her own tabernacle;" because the places of worship those kingdoms had, were of their own devising. Jerusalem and Judah bear the name of Aholibah, "my tabernacle is in her," because their temple was the place which God himself had chosen, to put his name there. The language and figures are according to those times. Will not such humbling representations of nature keep open perpetual repentance and sorrow in the soul, hiding pride from our eyes, and taking us from self-righteousness? Will it not also prompt the soul to look to God continually for grace, that by his Holy Spirit we may mortify the deeds of the body, and live in holy conversation and godliness?